Fire and Blood a concerto for violin and orchestra is a piece inspired by Mexican artist Diego Rivera's extraordinary 'Detroit Industry' murals. It was Rivera himself who predicted the possibility of turning his murals into music, after returning from a tour of the Ford factories: "In my ears, I heard the wonderful symphony which came from his factories where metals were shaped into tools for men's service. It was a new music, waiting for the composer . . . to give it communicable form.".

International Korean Super star Korean soprano Sumi Jo made 10 recital albums for Erato and Warner Classics. They include some of her most captivating performances from Mozart to Johann Strauss, from Bach to Rossini, from Scarlatti to Verdi, Baroque, Christmas, love songs, devotional music and more.

Boris Berezovsky has established a great reputation, both as the most powerful of virtuoso pianists and as a musician gifted with a unique insight and a great sensitivity. With Teldec, Boris Berezovksy has recorded works of Chopin, Schumann, Rachmaninov, Mussorgsky, Balakirev, Medtner, Ravel and the complete Liszt Transcendental Studies. His recording of the Rachmaninov sonatas was awarded the Preis der Deutschen Schallplattenkritik and his Ravel disc was recommended by Le Monde de la Musique, Diapason, BBC Music Magazine and Independent on Sunday. Boris Berezovsky also won the BBC Music Magazine Awards in 2006.

The start of the first complete cycle of Dvorák symphonies on Warner Classics. It follows the enormously successful complete Glazunov symphonies cycle from José Serebrier with the Royal Scottish National Orchestra and complete Glazunov concertos with the Russian National Orchestra. José Serebrier has a special affinity with Slavic music including an outstanding live performance of Rachmaninov The Bells, as well as the complete symphonies and concertos of Glazunov.

'This album is the most personal of all the albums I've released as it's the music as it first appears in my mind - before all the orchestration starts taking shape. It's in its purest form, just on piano, as I would have first played it before deciding on the other instrumentation.I've always believed that if a melody can work played simply on piano, and can be memorable and inviting without all the orchestration and bells and whistles of a full symphony orchestra, then that's the best starting point for a score.' - Debbie Wiseman.