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Little known in the West at the time of these recordings (1990-91), Russian Alexei Lubimov used three modern reproduction fortepianos for the recording, each corresponding as closely as possible to the instrument Mozart himself played at particular periods.

When the individual volumes of this project first began to appear in 2001, the continued critical response was excellent. Ligeti himself took an active part in the recording process up until his death, and many of the artists that appear on the set had long standing relationships with the composer and his work, both in the studio and in concert.

The oldest versions of 'Tristan' from the Celtic lands of Western Europe were recited by bards and minstrels, and to a greater extent, were never written down. We do, however, have many beautiful versions of this tale notated in the later Middle Ages. The Camerata has chosen to return to the oldest surviving sources for this program.

This concert season the artistic director and principal conductor of the Tchaikovsky Symphony Orchestra, People's Artist of USSR, Laureate of the State Award of USSR and Glinka's State Award of the Russian Federation celebrates the 50th anniversary of his conducting career.

Placido Domingo was only 27 years old when he made this recording, the year in which he signed at the Met. His voice is incredibly young and fresh; the same Domingo gold, but with such purity and newness as is only found in a young singer.