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Background: Why on earth arrange music written specifically to explore the capabilities of a single violin for string quartet? Partly, of course, for the sheer fun of the challenge of it. Partly to make explicit the implicit harmonies and counterpoints contained within the writing. And partly, perhaps, to aid the listener to see the wood despite the trees. By spreading the virtuosity around his four players William Zinn, well known for a host of brilliant arrangements (as well as for his original compositions), reduces the risk of a performance being a solo high-wire act. It’s no longer about a single performer showing off. It’s about the notes and the music that lies between them. |
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COMPOSER: Nicolo Paganini |
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