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Background: Performed for the first time in 1760, the Messe des Morts of François-Joseph Gossec was regularly used for patriotic commemorations during the French Revolution. It was at this time that it became associated with grandiloquence, pomp and spectacle, in a spirit far removed from the Concert-Spirituel. Jean-Claude Malgoire is better qualified than anyone else to do justice to this extraordinary work, which he rightly considers to be at once the apogee of the music of the 'Ancien Régime' and prophetic of the future. We read that 'listeners were frightened by the terrible, sinister effect of three trombones combined with four clarinets, four trumpets, four horns and eight bassoons, concealed far off and high up in the church to announce the 'Last Judgment', that this refers to Gossec and not to Berlioz, whose own music was certainly influenced by this incandescent, awe-inspiring Dies Irae. |
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COMPOSER: Francois Gossec |
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