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Background: In the early 1660s, Schutz, relegated among the faded glories of the Dresden court, began to prepare for his own death. He embarked on a setting of all 176 verses of Psalm 119, a summing-up of the Old and New Testaments, without necessarily expecting the resulting work to be performed: it was to be his swansong or Schwanengesang. Ten years later, this Opus ultimum had evolved into 11 motets for double choir. The manuscripts were dispersed after his death and it was to be another three centuries before the work was reconstructed and then sung. |
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COMPOSER: Heinrich Schutz |
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- Jun-2007 4 star BBC Music Mag. - Jun-2007 Gramophone Editor's Choice 'can this be the greatest work by an octogenarian before Strauss?' |
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