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Background: In the preface to his eighth book of madrigals (1638), Monteverdi states that his oeuvre as a whole can be split into three distinct genres, which are determined by their place of performance: music for the theatre, the church, and the 'chamber'. Most of his da camera output consists of madrigals for five voices, eight books of which were published during his lifetime. However, throughout his life, Monteverdi also practised other, less ambitious forms, to which he gave the name canzonette, arie or scherzi. Maria Cristina Kiehr and Concerto Soave here present a broad selection of these, from the canzonette published in 1584, when he was only seventeen but already a master of the prima prattica, to the two books of Scherzi musicali. The Scherzi musicali of 1607 are a collection of entertainments written for the court of Mantua, to which Monteverdi had been attached since 1590. Overwhelmed by pressure of work, Claudio gave his brother Giulio Cesare the task of supervising their publication. The 1632 collection is considerably more sophisticated, tending towards the strophic aria and the stile recitativo of the madrigal. |
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COMPOSER: Claudio Monteverdi |
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- Jul-2005 4 star BBC Music Mag. |
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