![]() |
||
|
|
| To change your guide currency and shipping destination go here and 20% Value Added Tax will be removed from prices for Channel Islands and non European Union countries. |
|
|
|
|
| Additional composers or artists are detailed after their works. |
Add to Wish List Write a Review More by: Composer: Conductor: |
Background: The charm and sheer full-blooded pleasure offered by Leopold Stokowski’s transcriptions continues to hold sway today – complete with opulent and resonant strings – some three decades after the dynamic conductor’s death. The ‘Stokowski Sound’ was particularly, indeed deliberately, well-suited to the possibilities offered with the development of stereo recording of the maestro’s ay, a challenge which Glossa’s engineer Manuel Mohino has happily embraced as much as the Brussels Philharmonic, whose members have taken to this style like ducks to water, in this modern-day “Evening with Leopold Stokowski”. Leading the way with a classy swagger in transcriptions of Bach, Purcell and Palestrina is conductor Richard Egarr, perhaps better known for his work with the unadorned originals (he is the Music Director of the Academy of Ancient Music, after all), but in reality equally at home in much later music – and he makes no bones about his appreciation of the Stokowski style. About the transcription of Dido’s Lament Egarr says, “It is still Purcell, even in Stokowski's fur coat.” and, for added emphasis, he conjures up his own orchestral confection of Handel’s Water Music. An evening’s entertainment of unalloyed pleasure culminating in a triumphant rendition of the Slavonic March by Tchaikovsky, à la Stokowski, naturally. |
|
COMPOSER: Johann Sebastian Bach |
|
|
|
|
|
Normally ships in 4-5 complete working days after order |
|
Others who bought this title also bought: |
|
Set up a PIN
| Check an existing order
| How to order
| Privacy Policy
| Contact Information
| Secure Server Details |
Copyright (c) Crotchet. All rights reserved |