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Background: Orff is reputed to have declared around the time of Carmina’s first performance, 'Everything I have written to date, and which you have printed, can be destroyed. With Carmina Burana, my collected works begin.' The score’s combination of gloriously infectious vulgarity interspersed with moments of genuine beauty has assured it an unquestionable position as one of the most popular of all twentieth-century choral works. MusicOMH.com wrote of the performance, 'The London Symphony Orchestra performed the work with all the commitment and exuberance that one expects from them... The three soloists were outstanding, singing with a unified dynamic power and depth of expression that is rare to find today…Christopher Maltman’s baritone is large, and he dramatically projected every emotion and quirk in the text.' Classical Source said 'Hickox and his forces certainly conveyed an appropriate sense of the dramatic…Maltman had the sense of the music and histrionic demands down to a tee… Banks provided strong characterization in the high tenor writing… Claycomb conveyed the vulnerability of the soprano’s music.' |
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COMPOSER: Carl Orff |
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ADDITIONAL INFORMATION: recorded live at the Barbican Centre London Nov-2007 - Nov-2008 5 star BBC Music Mag. |
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