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Background: Even today there are many who find Schoenberg's work, with its twelve-tone serialism, violent and incomprehensible. However, neither of the works on this disc is in the enfants terrible style of the Second Viennese School. Pelleas und Melisande was written in the early 1900s, prior to Schoenberg's experimentation with atonality, and is a glorious example of post-Wagnerian romanticism. The Piano Concerto is a much later work, dating from the World War II years, but though it is based on a twelve-note series, it is far less forbidding, even at first hearing, than many of Schoenberg's serial compositions. The style of piano writing often looks back to the nineteenth century, and many of the tunes are distinctly singable, with hints of traditional harmony. In such densely scored works as these, recording quality is paramount and the present recordings are famed for their bright, clean sound, enabling the orchestral detail to be sharply delineated. |
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COMPOSER: Arnold Schoenberg |
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