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Background: Some of these celebrated songs are much more familiar in their orchestral versions and pose a great challenge to the pianist. However the piano’s capacity for quasi-orchestral sonorities and textures was an essential element in the evolution of the Lied as an art form, allowing as it did for a far wider range of symbolic reference than would have been possible with any other accompanying instrument, and Roger Vignoles achieves a great level of intimacy within this framework. Stephan Ganz performs with the musical intelligence and passion that characterized his first disc in this series. |
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COMPOSER: Gustav Mahler |
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