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Background: The 1968 Bayreuth Festival opened with a new production of Die Meistersinger von Nürnberg that seemed to be heading for disaster when the central role of Hans Sachs had to be recast after the final dress rehearsal. But Theo Adam struck gold in the scene in his workshop in Act Three and later on the Festival Meadow, dispelling all possible misgivings. In Wolfgang Wagner's first Bayreuth production of his grandfather's only mature comedy,Adam created a multifaceted portrait of the cobbler-poet using all the resources of his striking bass-baritone voice, a voice that was penetrating in all its registers, yet also capable of great subtlety. |
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COMPOSER: Richard Wagner |
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ADDITIONAL INFORMATION: live recording Bayreuth 1968 |
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