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Background: Carl Philipp Emanuel Bach's three sonatas for viola da gamba of 1745, 1746 and 1759 illustrate the intermediary position of a composer whose works are deeply rooted in the past, while at the same time being very forward-looking. In the search for an appropriate keyboard, Alpha decided on the hammerflügel (the first recording made on this instrument). Its flexible dynamics and the possibility of using touch to control sound production lend eloquence and a passionate quality to the melody. In order to add extra colour to the continuo, cello is added in one of the sonatas. Bach described the cello-keyboard combination as 'the most perfect accompaniment for the solo instrument, to which no one can object'. Friederike Heumann studied viola da gamba with Jordi Savall and Paolo Pandolfo. She appears with ensembles such as Hespèrion XXI and Le Concert des Nations, Le Concerto Vocale and Les Arts Florissants. |
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COMPOSER: Carl Philipp Emanuel Bach (other
composers in brackets after works) |
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ADDITIONAL INFORMATION: hammerflugel by Denzil Wraight after Cristofori 1730 |
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