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Background: 1565 marked the beginning of a musical revolution in Milan. Cardinal Carlo Borromeo, the city's archbishop, returned from Rome with the firm intention of enforcing the principles of the Counter-Reformation. The powerful Borromeo family thus aimed to ban secular music in Milan but Carlo's cousin Federico Borromeo soon realised the possibility of using the emotional and rhetorical powers of the secular madrigals for religious purpose, to induce in the listener a feeling of spiritual ecstasy. Thus, he asked his musician Aquilino Coppini to present in sacred guise pieces from Monteverdi's Fourth and Fifth Books of Madrigals. The resulting motets were probably performed in Milan Cathedral from 1607 onwards. At the beginning of the seventeenth century, Milan, thus became one of Italy's major cultural centres. This programme represents that important period of change in Milan, when secular compositions were transformed into pieces with a truly mystical feeling. It comprises a Mass by the former madrigalist Vincenzo Ruffo and sacred versions of secular works by Claudio Monteverdi. |
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COMPOSER: Claudio Monteverdi (other
composers in brackets after works) |
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ADDITIONAL INFORMATION: Sacred music in Milan in the early seventeenth century |
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