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Background: Arvo Pärt based the St John Passion on his new-found tintinnabuli principle that 'the melody and the accompaniment is one'. Settings of the Passion are part of a very early tradition in the Church, and in Pärt’s setting it is the text itself which determines the musical structure and even the duration of the silences between the words. Using the most concentrated of means, Pärt communicates the depth and power of the ancient Passion story in a new and compelling way. |
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COMPOSER: Arvo Part |
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- Apr-2003 4 star BBC Music Mag. - Apr-2003 Gramophone Editor's Choice 'An ascetic spiritual journey, pared to the musical bone but extraordinarily powerful. Fine singing and first-rate sound' - Penguin Guide 4 star 'Antony Pitts draws a magnetic performance from his newly founded choir, Tonus Peregrinus, and the soloists taking the roles of Christ and Pilate, and they are atmospherically recorded in bright, clear sound' |
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