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Background: Like Toscanini, De Sabata was renowned for attention to detail and a tyranny on the podium that could be especially intimidating towards singers. His style was more akin to Furtwängler and resulted in extremes of tempo, dynamics and a general unpredictability of approach very much geared to the whim of the moment. This may account for his unease regarding the whole process of recording, something with which he was never entirely comfortable. It also significantly hampered his progress in the United States, where he never experienced the same adulation or promotional enthusiasm laid before the all-conquering Maestro. |
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COMPOSER: Ludwig van Beethoven (other
composers in brackets after works) |
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